Venue: The Franklin Institute.
Location: Philadelphia, PA, USA.
Date: September 26, 1979 to March 21, 1980.
Catalogue: The Franklin Institute Press published New Spaces: The Holographer's Vision depicting photographs of the holograms on display and information about the holographers.
Type: All Holography
All types of holograms were on display including white light reflection, white light transmission, transmission, pulsed, integral and dichromate.
Stephen W. Michael's hologram was a 5 x 8 inch transmission viewed with white light and titled Cosmic Storm.
[Michael]
Friday, September 26, 1980
Thursday, July 10, 1980
Similar Visions
Venue: Museum of Holography.
Location: New York, New York, USA.
Date: July 10 - October 5, 1980
Catalogue: Yes.
Type: Holography and other three-dimensional media
This exhibition detailed the history and applications of 3-dimensional imaging systems, with historic and contemporary work done in all types of 3-D systems.
The show was guest curated by Dr. Stephen A. Benton of the Polaroid Corporation.
[Barefoot]
Location: New York, New York, USA.
Date: July 10 - October 5, 1980
Catalogue: Yes.
Type: Holography and other three-dimensional media
This exhibition detailed the history and applications of 3-dimensional imaging systems, with historic and contemporary work done in all types of 3-D systems.
The show was guest curated by Dr. Stephen A. Benton of the Polaroid Corporation.
[Barefoot]
FutureSight - Innovations in Art Holography
Venue: Museum of Holography.
Location: New York, New York, USA.
Date: July 10 - November 2, 1980.
Catalogue: No.
Type: All Holography
This exhibition -- the Museum's second traveling exhibition -- showcased artwork produced by 12 New York City holographers. It was the first traveling show to focus on the artists working in holography, rather than the medium itself. The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
Location: New York, New York, USA.
Date: July 10 - November 2, 1980.
Catalogue: No.
Type: All Holography
This exhibition -- the Museum's second traveling exhibition -- showcased artwork produced by 12 New York City holographers. It was the first traveling show to focus on the artists working in holography, rather than the medium itself. The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
Saturday, June 14, 1980
Through the Looking Glass
Venue: Nature Science Center.
Location: Winston-Salem, NC, USA.
Date: June 14 - July 12, 1980.
Catalog: No
Type: Holography only.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children';s museums throughout the US, Canada, Australia, and Israel from 1977 to 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Location: Winston-Salem, NC, USA.
Date: June 14 - July 12, 1980.
Catalog: No
Type: Holography only.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children';s museums throughout the US, Canada, Australia, and Israel from 1977 to 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Tuesday, June 10, 1980
FutureSight - An exhibition of holograms
Venue: Mediaport Gallery.
Location: Port Washington Public Library, Port Washington, NY.
Date: May 10 - June 20, 1980
Catalog: No.
Type: All Holography.
Selected works from the Permanent Collection of the Museum of Holography (NYC). Included the works of Paul Barefoot, Rudie Berkhout, Amy Greenfield, David Klein, Sam Moree, Ruben Nunez, Hart Perry, Abe Rezny and Dan Schweitzer.
The exhibition was produced by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Location: Port Washington Public Library, Port Washington, NY.
Date: May 10 - June 20, 1980
Catalog: No.
Type: All Holography.
Selected works from the Permanent Collection of the Museum of Holography (NYC). Included the works of Paul Barefoot, Rudie Berkhout, Amy Greenfield, David Klein, Sam Moree, Ruben Nunez, Hart Perry, Abe Rezny and Dan Schweitzer.
The exhibition was produced by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Sunday, May 4, 1980
Through the Looking Glass
Venue: Polk Public Museum.
Location: Lakeland, FL, USA.
Date: May 4 - May 31, 1980
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New YOrk until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
(www.holophile.com).
[Barefoot]
Location: Lakeland, FL, USA.
Date: May 4 - May 31, 1980
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New YOrk until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
(www.holophile.com).
[Barefoot]
Saturday, March 1, 1980
Through the Looking Glass
Venue: Adelaide Festival of Arts, Adelaide International Festival of Arts
Location: Adelaide, Australia.
Date: March 1 - 29, 1980,
Catalogue: Yes.
Type: All Holography.
This was the first showing of the exhibition outside North American. It had more visitors than the other 14 visual arts attractions combined.
The show was complemented by a special laser light show with music and three works by Australian artist, Margaret Benyon. The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
Location: Adelaide, Australia.
Date: March 1 - 29, 1980,
Catalogue: Yes.
Type: All Holography.
This was the first showing of the exhibition outside North American. It had more visitors than the other 14 visual arts attractions combined.
The show was complemented by a special laser light show with music and three works by Australian artist, Margaret Benyon. The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
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