Venue: The Butler Institute of Art.
Location: Youngstown, OH, USA.
Date: January 31 - March 13, 1981
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name.The show broke all attendance records in the history of the Youngstown museum. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New YOrk until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
(www.holophile.com).
[Barefoot]
Saturday, January 31, 1981
Friday, January 16, 1981
Stages - Dan Schweitzer
Venue: Museum of Holography
Location: 11 Mercer Street, New York, NY, USA
Date: January 16 - April 5 1981.
Catalogue: MOH Catalogue, Paul Barefoot, Holophile Inc., Hunter Publishing Company, NY
Type: All holography
A seven-year retrospective of 20 theatrically-inspired white-light transmission holograms by Dan Schweitzer that traced the development of Schweitzer from a representational to abstract artist.
Included was his famous 1977 study, "Movie Theatre," in which Schweitzer is seen extending his hand from the "silver scree" into a movie audience. Emblematic of his later art was "Perpetual Motion," in which light fused into a variety of moving shapes.
[Barefoot]
[Bjelkhagen]
Location: 11 Mercer Street, New York, NY, USA
Date: January 16 - April 5 1981.
Catalogue: MOH Catalogue, Paul Barefoot, Holophile Inc., Hunter Publishing Company, NY
Type: All holography
A seven-year retrospective of 20 theatrically-inspired white-light transmission holograms by Dan Schweitzer that traced the development of Schweitzer from a representational to abstract artist.
Included was his famous 1977 study, "Movie Theatre," in which Schweitzer is seen extending his hand from the "silver scree" into a movie audience. Emblematic of his later art was "Perpetual Motion," in which light fused into a variety of moving shapes.
[Barefoot]
[Bjelkhagen]
Sunday, December 7, 1980
Shadowgrams
Venue: Museum of Holography
Location: 11 Mercer St, New York, NY, USA.
Date: December 7, 1979 - March 2, 1980.
Catalog: Yes
Type: All Holography
One-man retrospective by Rick Silberman. This show was the culmination of Silbeman's eight years in the medium and demonstrated the rear-lit reflection holography technique which he pioneered.
"Shadowgrams" are holograms, although the image seen by the viewer is of the shadow of an object rather than the object itself -- similar to Man Ray's "shadowgraph," a technique used in photography. The exhibition included his early single plate holograms, such as "Gyroscope" and "Ball and Jacks" to one of his latest, "The Meeting." This shadowgram fused holographic and material reality in a wine glass, the top half of which ws a projected image and the base an actual piece of crystal. The show included a number of assemblages that combined holograms and "shadowgrams" with normal 3-dimensional objects to form visual sculptures.
[Bjelkhagen]
Location: 11 Mercer St, New York, NY, USA.
Date: December 7, 1979 - March 2, 1980.
Catalog: Yes
Type: All Holography
One-man retrospective by Rick Silberman. This show was the culmination of Silbeman's eight years in the medium and demonstrated the rear-lit reflection holography technique which he pioneered.
"Shadowgrams" are holograms, although the image seen by the viewer is of the shadow of an object rather than the object itself -- similar to Man Ray's "shadowgraph," a technique used in photography. The exhibition included his early single plate holograms, such as "Gyroscope" and "Ball and Jacks" to one of his latest, "The Meeting." This shadowgram fused holographic and material reality in a wine glass, the top half of which ws a projected image and the base an actual piece of crystal. The show included a number of assemblages that combined holograms and "shadowgrams" with normal 3-dimensional objects to form visual sculptures.
[Bjelkhagen]
Monday, November 3, 1980
The Craft of Art
Venue: Walker Art Gallery.
Location: Liverpool, England.
Date: November 3 1979 - February 3 1980.
Catalog: Yes.
Type: Holography, Painting, Sculpture, Mixed Media.
Curated by Edward Lucie-Smith Holograms coordinated by Eve Ritscher
Works by Anait, William Reber, Dan Schweitzer, Rick Silberman, Sam Moree, Rudie Berkhout, Ruben Nunez, Stephen Benton, Harriet Casdin-Silver, Bill Molteni and various artists working in non holographic media.
[Ross]
Location: Liverpool, England.
Date: November 3 1979 - February 3 1980.
Catalog: Yes.
Type: Holography, Painting, Sculpture, Mixed Media.
Curated by Edward Lucie-Smith Holograms coordinated by Eve Ritscher
Works by Anait, William Reber, Dan Schweitzer, Rick Silberman, Sam Moree, Rudie Berkhout, Ruben Nunez, Stephen Benton, Harriet Casdin-Silver, Bill Molteni and various artists working in non holographic media.
[Ross]
Tuesday, October 28, 1980
Through the Looking Glass
Venue: The Bruce Museum.
Location: Greenwich, CT.
Date: October 28 - November 25, 1980.
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel from 1977 to 1987.
[Barefoot]
Location: Greenwich, CT.
Date: October 28 - November 25, 1980.
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel from 1977 to 1987.
[Barefoot]
Saturday, October 25, 1980
Through the Looking Glass
Venue: Museum of York County,.
Location: Rock Hill, SC, USA.
Date: October 25 - November 26, 1980
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New York until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
(www.holophile.com).
[Barefoot]
Location: Rock Hill, SC, USA.
Date: October 25 - November 26, 1980
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New York until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
(www.holophile.com).
[Barefoot]
Friday, September 26, 1980
New Spaces: The Holographer's Vision
Venue: The Franklin Institute.
Location: Philadelphia, PA, USA.
Date: September 26, 1979 to March 21, 1980.
Catalogue: The Franklin Institute Press published New Spaces: The Holographer's Vision depicting photographs of the holograms on display and information about the holographers.
Type: All Holography
All types of holograms were on display including white light reflection, white light transmission, transmission, pulsed, integral and dichromate.
Stephen W. Michael's hologram was a 5 x 8 inch transmission viewed with white light and titled Cosmic Storm.
[Michael]
Location: Philadelphia, PA, USA.
Date: September 26, 1979 to March 21, 1980.
Catalogue: The Franklin Institute Press published New Spaces: The Holographer's Vision depicting photographs of the holograms on display and information about the holographers.
Type: All Holography
All types of holograms were on display including white light reflection, white light transmission, transmission, pulsed, integral and dichromate.
Stephen W. Michael's hologram was a 5 x 8 inch transmission viewed with white light and titled Cosmic Storm.
[Michael]
Subscribe to:
Posts (Atom)