Venue: Museum of Science and Industry.
Location: Tampa, FL, USA.
Date: November 14, 1987.- January 3, 1988.
Catalog: No.
Type: All Holography.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, epresenting 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
Saturday, November 14, 1987
Saturday, October 31, 1987
From Innovation to Tradition
Venue: Museum of Holography
Location: 11 Mercer St, New York, NY, USA.
Date: October 31, 1986 - January 14, 1987.
Catalog: No.
Type: All Holography.
The exhibition featured highlights from the Museum's Permanent Collection first decade.
[Barefoot]
Location: 11 Mercer St, New York, NY, USA.
Date: October 31, 1986 - January 14, 1987.
Catalog: No.
Type: All Holography.
The exhibition featured highlights from the Museum's Permanent Collection first decade.
[Barefoot]
Friday, October 23, 1987
California Color
Venue: Museum of Holography
Location: 11 Mercer Street, New York, NY, USA.
Date: Oct. 23, 1987 to Feb. 7, 1988
Catalog: ? (2-sided exhibit sheet and press release)
Type: All Holography
Artists: Don Broadbent; Brad Cantos; Greg Cherry; Advanced Dimensional Display; Randy James; Nancy Gorglione; Art Freund; Robert (Bob) Hess; Mike Long; Jeff Murray; Steve Provence; Fred Unterseher; David Schmidt; John Kaufman; Craig Newswanger.
Location: 11 Mercer Street, New York, NY, USA.
Date: Oct. 23, 1987 to Feb. 7, 1988
Catalog: ? (2-sided exhibit sheet and press release)
Type: All Holography
Artists: Don Broadbent; Brad Cantos; Greg Cherry; Advanced Dimensional Display; Randy James; Nancy Gorglione; Art Freund; Robert (Bob) Hess; Mike Long; Jeff Murray; Steve Provence; Fred Unterseher; David Schmidt; John Kaufman; Craig Newswanger.
Monday, September 28, 1987
FutureSight - Innovations in Art Holography
Venue: Santa Fe Gallery.
Location: Gainesville, FL, USA.
Date: September 28 - November 3, 1987.
Catalog: No.
Type: All Holography.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
Location: Gainesville, FL, USA.
Date: September 28 - November 3, 1987.
Catalog: No.
Type: All Holography.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
Wednesday, May 27, 1987
Venue: Musee de l'holographie.
Location: Forum des Halles, Paris, France.
Date: May 27 - September 20, 1987.
Catalog: Holographie Hongroise (in French) Musee de l'holographie Publication 1985.
Type: All Holography.
The exhibition was a collaboration with the Institute of Physics of the Academy of Sciences, Ukraine and the Museum of History, Kiev.
[Barefoot]
Location: Forum des Halles, Paris, France.
Date: May 27 - September 20, 1987.
Catalog: Holographie Hongroise (in French) Musee de l'holographie Publication 1985.
Type: All Holography.
The exhibition was a collaboration with the Institute of Physics of the Academy of Sciences, Ukraine and the Museum of History, Kiev.
[Barefoot]
Thursday, May 21, 1987
EquusUnderwater: A Holographic Stage Set
Venue: Exploratorium.
Location: San Francisco, CA, USA.
Date: May 21 - June 17, 1987.
Catalogue: No.
Type: All Holography
“EquusUnderwater” was composed of 30 large format transmission and reflection holograms and ten smaller holograms, arranged together to form the overall stage set scenes, encompassing an area 16 ft. wide by 20 ft. deep and 12 ft. high. (Exploratorium).
The stage front view, by Gorglione, was a projecting horse galloping by the side of a moving holographic river, in 8 panels of 22 in. by 30 in. transmission holograms. Three panels of four 22 in. by 30 in. multi-exposure rainbow “Clouds” hung above the galloping horse.
The whole was suspended from steel poles and smaller custom steel and aluminum frames made by Greg Cherry. Each transmission hologram panel had two or three lights in a vertical row with variable timed lighting, so that rainbow color shifts and changing imagery were part of the show.
Greg Cherry shot large format reflection holograms of the “Guardians” and other images of the new, at the time, green sensitive Illford plates. Laser Affiliates, with Gorglione, Cherry and Steve Anderson, installed an argon laser with UV optics. This allowed the scanning laser beam to fluoresce custom rear projection screens, silkscreened by Jos Sances from images provided by Gorglione. Laser scanning of images such as a galloping horse and schools of fish were visible through the transparent front holograms, and through transparent layered screens at the stop of the stage set.
Exploratorium viewers walked through the stage set installation. To the right was another section of eight large format transmission diffraction gratings, the “Astral Gates” by Gorglione. Cherry made other large format gratings with figurative diffraction effects complementary to the laser scanning.
In fashion becoming typical of Cherry Optical work, the artists remastered some of the images, and recopied all of them, using new geometry for “EquusUnderwater” at the Chicago Museum of Holography. This staging filled the Chicago MOH, with a wall of laser-illuminated diffraction gratings replacing the laser light imagery.
“Sculpture Magazine,” “Chicago Tribune Daily” and their “Sunday Magazine,”“Holosphere,” “Holographics International,” and other publications wrote about “EquusUnderwater.”
“EquusUnderwater: A Holographic StageSet” was influential within the holographic art community, at the best inspiring other installations of holography, and at the worst, evoking bald copies of parts of the Stage Set.
[Gorglione]
Location: San Francisco, CA, USA.
Date: May 21 - June 17, 1987.
Catalogue: No.
Type: All Holography
“EquusUnderwater” was composed of 30 large format transmission and reflection holograms and ten smaller holograms, arranged together to form the overall stage set scenes, encompassing an area 16 ft. wide by 20 ft. deep and 12 ft. high. (Exploratorium).
The stage front view, by Gorglione, was a projecting horse galloping by the side of a moving holographic river, in 8 panels of 22 in. by 30 in. transmission holograms. Three panels of four 22 in. by 30 in. multi-exposure rainbow “Clouds” hung above the galloping horse.
The whole was suspended from steel poles and smaller custom steel and aluminum frames made by Greg Cherry. Each transmission hologram panel had two or three lights in a vertical row with variable timed lighting, so that rainbow color shifts and changing imagery were part of the show.
Greg Cherry shot large format reflection holograms of the “Guardians” and other images of the new, at the time, green sensitive Illford plates. Laser Affiliates, with Gorglione, Cherry and Steve Anderson, installed an argon laser with UV optics. This allowed the scanning laser beam to fluoresce custom rear projection screens, silkscreened by Jos Sances from images provided by Gorglione. Laser scanning of images such as a galloping horse and schools of fish were visible through the transparent front holograms, and through transparent layered screens at the stop of the stage set.
Exploratorium viewers walked through the stage set installation. To the right was another section of eight large format transmission diffraction gratings, the “Astral Gates” by Gorglione. Cherry made other large format gratings with figurative diffraction effects complementary to the laser scanning.
In fashion becoming typical of Cherry Optical work, the artists remastered some of the images, and recopied all of them, using new geometry for “EquusUnderwater” at the Chicago Museum of Holography. This staging filled the Chicago MOH, with a wall of laser-illuminated diffraction gratings replacing the laser light imagery.
“Sculpture Magazine,” “Chicago Tribune Daily” and their “Sunday Magazine,”“Holosphere,” “Holographics International,” and other publications wrote about “EquusUnderwater.”
“EquusUnderwater: A Holographic StageSet” was influential within the holographic art community, at the best inspiring other installations of holography, and at the worst, evoking bald copies of parts of the Stage Set.
[Gorglione]
Saturday, May 16, 1987
Claudette Abrams - Personal Effects
Venue: Interference Hologram Galleryg.
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: May 16 - June 30, 1987.
Catalog: No
Type: All holograms.
[Bjekhagen]
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: May 16 - June 30, 1987.
Catalog: No
Type: All holograms.
[Bjekhagen]
Claudette Abrams - Personal Effects
Venue: Interference Hologram Gallery.
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: May 16 - June 30, 1987.
Catalog: No
Type: All holograms.
[Bjekhagen]
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: May 16 - June 30, 1987.
Catalog: No
Type: All holograms.
[Bjekhagen]
Friday, May 15, 1987
The Holographic Instant: Pulsed Laser Holograms
Venue: Museum of Holography.
Location: 11 Mercer Street, New York, New York, USA.
Date: May 15 - September 20, 1987.
Catalogue: The Holographic Instant: Pulsed laser Holograms, MOH 1987.
Type: All Holography
An exhibition of holograms including portraits recorded with pulsed lasers.
Organized by Ian M. Lancaster (Museum Director) and guest curator Marcia Merryman-Means.
Location: 11 Mercer Street, New York, New York, USA.
Date: May 15 - September 20, 1987.
Catalogue: The Holographic Instant: Pulsed laser Holograms, MOH 1987.
Type: All Holography
An exhibition of holograms including portraits recorded with pulsed lasers.
Organized by Ian M. Lancaster (Museum Director) and guest curator Marcia Merryman-Means.
Monday, April 6, 1987
The Nature of Holography
Venue: Children's Museum of Oak Ridge.
Location: Oak Ridge, TN, USA.
Date: April 6 - May 18, 1987.
Catalog: No
Type: Holography only.
Traveling exhibition produced by Holophile, Inc. introduces visitors to the "nature" of holography — its unique characteristics and how it differs from other media -- by displaying a variety of natural and wildlife images.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Location: Oak Ridge, TN, USA.
Date: April 6 - May 18, 1987.
Catalog: No
Type: Holography only.
Traveling exhibition produced by Holophile, Inc. introduces visitors to the "nature" of holography — its unique characteristics and how it differs from other media -- by displaying a variety of natural and wildlife images.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Saturday, April 4, 1987
Holography'87 Contemporary Currents in Holography
Venue: The Elmwood Camera Shop Gallery.
Location: 2999 College Avenue, Berkeley, CA, USA.
Date: April 4 - 30, 1987
Catalog: No
Type: All Holograms.
Holograms included within the Image Events Exhibition: Visions in 3 Dimensions
Organized by Karl J. Mills, Alpha Photo Products, Inc., Oakland, CA, USA
Location: 2999 College Avenue, Berkeley, CA, USA.
Date: April 4 - 30, 1987
Catalog: No
Type: All Holograms.
Holograms included within the Image Events Exhibition: Visions in 3 Dimensions
Organized by Karl J. Mills, Alpha Photo Products, Inc., Oakland, CA, USA
Saturday, March 21, 1987
The Conjugal & Cosmetic Series - Margret Benyon
Venue: Interference Hologram Gallery.
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: March 21 - May 2,1987
Catalog: No
Type: All holograms.
Exhibition was sponsored by the British Council and exhibited many of the finest pulsed holographic portraits in existence.
[Bjeklhgen]
Location: 008-1179A King Street West, Toronto, Ontario, Canada.
Date: March 21 - May 2,1987
Catalog: No
Type: All holograms.
Exhibition was sponsored by the British Council and exhibited many of the finest pulsed holographic portraits in existence.
[Bjeklhgen]
Monday, March 16, 1987
FutureSight - Innovations in Art Holography
Venue: Brevard Art Center and Museum.
Location: Melbourne, FL, USA.
Date: March 16 - April 28, 1987
Catalog: No
Type: All holograms.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Location: Melbourne, FL, USA.
Date: March 16 - April 28, 1987
Catalog: No
Type: All holograms.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Friday, January 30, 1987
A.I.R. Waves
Venue: Museum of Holography
Location: 11 Mercer St, New York, NY, USA.
Date: January 30 - May 3, 1987.
Catalog: No.
Type: All Holography.
The exhibition featured works from the Artist-in-Residence Programs at the Museum from 1980 -1986.
[Barefoot]
Location: 11 Mercer St, New York, NY, USA.
Date: January 30 - May 3, 1987.
Catalog: No.
Type: All Holography.
The exhibition featured works from the Artist-in-Residence Programs at the Museum from 1980 -1986.
[Barefoot]
Friday, January 23, 1987
Masks d'Alexander
Venue: Musee de l'holographie
Location: Forum des Halles, Paris, France.
Date: January 23, 1987.
Catalog:
Type: ?
[Barefoot]
Location: Forum des Halles, Paris, France.
Date: January 23, 1987.
Catalog:
Type: ?
[Barefoot]
Monday, January 12, 1987
FutureSight - Innovations in Art Holography
Venue: Community College Gallery.
Location: Daytona Beach, FL, USA.
Date: January 12 - March 2, 1987
Catalog: No.
Type: All Holography.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Location: Daytona Beach, FL, USA.
Date: January 12 - March 2, 1987
Catalog: No.
Type: All Holography.
Traveling exhibition of the Museum of Holography, New York. Show included 30 holograms selected from its Permanent Collection, representing 25 contemporary holographers.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc. (www.holophile.com).
[Barefoot]
Saturday, January 10, 1987
Through the Looking Glass
Venue: Maryland Science Center.
Location: Baltimore, MD, USA.
Date: January 10 - February 21, 1987
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New York until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
Location: Baltimore, MD, USA.
Date: January 10 - February 21, 1987
Catalog: No.
Type: All Holography.
Museum of Holography traveling show based on the Museum's inaugural exhibition of the same name. The exhibition traveled to art, science and children's museums throughout the US, Canada, Australia, and Israel.
The exhibition opened in Toronto in 1977 and was booked continuously for ten years -- not returning to New York until its retirement in 1987.
The exhibition was produced and circulated by Paul D. Barefoot, Holophile. Inc.
[Barefoot]
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